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{\info
{\title Music Blog Wales}
{\doccomm Welsh Music Blog // Blog Cerddorieath Cymru // Musicblogwales@gmail.com}
{\keywords Cymru, The Gentle Good, Libertino Records, The Puss Puss Band, John Rabbit Bundrick}}\paperw12240\paperh15840\vieww21240\viewh16640\viewkind0
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1.5M ratings \
277k ratings \
\
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\b\fs48 \cf2 See, that\'92s what the app is perfect for.\
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\b0\fs24 \cf2 \strokec5 Sounds perfect\strokec4 \strokec5 Wahhhh, I don\'92t wanna\strokec4 \
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\b \cf2 HMS MORRIS - \'91MORBID MIND / ARTH\'92
\b0 \
On April 28th 2017 HMS Morris will be releasing new material in the form of a double a-side single.\uc0\u8232 \
\b \'91Morbid Mind\'92
\b0 and
\b \'91Arth\'92
\b0 showcase the range of the band\'92s songwriting, sailing from a White\'a0Denim\'96esque fluster to melodies reminiscent of traditional Welsh folk music.\'91Morbid Mind\'92 explores\'a0the morbid curiosity that resides within all of us, that drives the popularity of \'91murderabilia\'92 and lies\'a0behind the rubbernecking instinct. The lure of the morbid can be explained as a noble desire to empathise\uc0\u8232 with the unfortunate, but can also lead to obsession, insanity, even death\'85\u8232 \u8232 \
\b \'91Arth\'92
\b0 (Welsh for \'91Bear\'92), is a tribute to an animal associated in cultures around the world with spiritual\'a0strength, courage, and harmony with the cycles of the Earth. Today, as the fight intensifies to overcome\'a0the forces destroyingour global communities and habitats, it seems more important than ever for us to\'a0\uc0\u8232 channel the spirit of Arth. Following the success of their debut album \'91Interior Design\'92 the band are excited\'a0to showcase new material alongside old favourites and will be hitting the road from April.\
\b Live
\b0 \uc0\u8232 \
\b April 14th
\b0 \'a0 Wales Goes Pop, Cardiff \uc0\u8232
\b April 25th \'a0
\b0 Komedia, Bath\uc0\u8232
\b May 9th \'a0 \'a0 \'a0 \'a0
\b0 The Social, London\uc0\u8232
\b May 13th \'a0 \'a0
\b0 Focus Wales, Wrexham\uc0\u8232
\b May 14th \'a0 \'a0
\b0 Dart Music Festival, Dartmouth\uc0\u8232
\b May 28th
\b0 \'a0 \'a0 Clwb Ifor Bach, Cardiff. \uc0\u8232
\b June 23rd \'a0 \'a0
\b0 Chester Live, Chester\uc0\u8232
\b July 1st \'a0 \'a0 \'a0 \'a0
\b0 Gwyl Tafwyl Festival, Llandaff Fields, Cardiff.\uc0\u8232 \
\b Biography
\b0 \uc0\u8232 \
HMS Morris are a Welsh Art-Pop group that delve into the wonky, odd-ball side of psychedelia, finding the balance\'a0between bold experimentalism without giving up accessibility. With an undercurrent of post-punk edginess, the group\uc0\u8232 toy with colliding synthesisers and cooing vocals and still manage to create something cohesive and alluring (Clunk).Released in November 2016, the band\'92s debut album \'91Interior Design\'92 is 'a real trip, a multi- dimensional sound that\'a0traipses across hitherto unexplored regions of sound\'92 (Clash), and with an as yet untitled follow-up already in production,\'a0it seems the voyage is just getting started.\
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\b0 \
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\b \cf2 TUSK - ALLIGATOR EP
\b0 \
Alternative pop artist, Tusk, from the village of Bethel near Bangor has released his d\'e9but EP, Alligator, as a free download today (18 November). \'a0\
Tusk is a project led by the talented musician Arron Hughes, who has been writing and recording music for a number of years, but the new EP is his first formally released material. \
\'93I\'92ve been composing and recording for a few years now\'94 said Arron Hughes. \
\'93I decided it was time to start releasing my music under the name of Tusk to share what I\'92m doing with a wider audience, and just see what the reaction would be.\'94 \
\'93The feedback to the music I\'92ve published online so far has been really positive, so this was the natural next step. I\'92m already working on the next EP, so it people are just as positive about Alligator, the next release will follow soon.\'94 \
With only a handful of Twitter and Soundcloud followers, Tusk may well be north Wales\'92 best kept musical secret, but the secret won\'92t last long on the evidence of his debut material. \'a0The artist has already published two of the EPs songs on Soundcloud \'96 the Welsh language track \'91Mantra\'92 featuring the voice of Y Reu frontman, Iwan F\'f4n, and the brilliant funky pop tune \'91Permission\'92. \'a0\
Alligator is the first collection of songs by the act, and is available as a free download from the Tusk Bandcamp site - {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=http%3A%2F%2Fsoundoftusk.bandcamp.com%2F&t=NjQ1ZjYwNjBhMzUxMWQ5NWQ3YzUwZmViOTJmY2YzYTc1NDMzNzBiMyxwRm1HT2t5Mg%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159790236311%2Ftusk-alligator-ep-alternative-pop-artist-tusk&m=1"}}{\fldrslt \ul \strokec5 http://soundoftusk.bandcamp.com/}}\
The sound varies from track to track, but Tusk\'92s music could be described as alternative electro pop, and it certainly represents an exciting new sound for anyone following the Welsh music scene. \'a0\
The artist has already created an impression on Welsh music magazine, Y Selar, who named Tusk as their \'91Artist of the Week\'92 back in September. \
The debut EP by Tusk, Alligator, is now available to download on Bandcamp and comprises of six tracks including some sung in Welsh, English and instrumental songs.\
FREE DOWNLOAD>>{\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=http%3A%2F%2Fsoundoftusk.bandcamp.com%2F&t=NjQ1ZjYwNjBhMzUxMWQ5NWQ3YzUwZmViOTJmY2YzYTc1NDMzNzBiMyxwRm1HT2t5Mg%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159790236311%2Ftusk-alligator-ep-alternative-pop-artist-tusk&m=1"}}{\fldrslt \ul \strokec5 http://soundoftusk.bandcamp.com/}}\'a0\
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\b \cf2 The Rogue Network - Binary EP\'a0
\b0 \
Just when I though UK Indie Rock was dead and buried the new EP from Rogue Nation comes along to prove me wrong and cheer me up in the process. \'a0\
Listening to this takes me right back to the hay day of Indie and the great emerging UK bands of the time. \'91Take me back to where I was at when I was young\'94, a lyric in the track \'91Venodotia\'92 hits the nail right on the head in an EP that any fan of Indie or 90\'92s music in general will be sure to enjoy.\'a0\
There\'92s also a track written and performed in Welsh on the EP, which is always nice to see and to listen to and it\'92s proof that the lads are staying true to their roots which always gets a big thumbs up from Music Blog Wales. \'a0In short, if you like UK Indie and or Welsh rock, get Rogue Nation\'92s new EP. You won\'92t be disappointed.\'a0\
It\'92s out now and available to stream on Soundcloud.\'a0\
Review by Handel Thomas.\uc0\u8232 \
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Review by Handel Thomas.\uc0\u8232 \
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\b \cf2 Lastigband - Torpido EP // Out/Allan 28.04.17 on Recordiau Cae Gwyn\'a0
\b0 \
Pop garej arbrofol! \
Yn dilyn ymddangosiad y band yng Ng\uc0\u373 yl y Dyn Gwyrdd y llynedd, dyma Torpido \'96 yr EP newydd gan Lastigband, y band seicadelig o Gogledd Cymru.\'a0Cafodd Torpido ei recordio yn Stwidio Drwm yn mis Rhagfyr 2016. Cymysgu gan Llyr Pari. Meistroli gan Iwan Morgan. Gwaith celf gan Luned Vaughan Williams.\
Experimental garage pop from North Wales. \
Following on from the band\'92s appearance at Greenman Festival last year, this is Torpido, the new EP from psychedelic four piece Lastigband.\'a0Torpido was recorded at Drwm Studio in December 2016. Mixed by Llyr Pari. Mastered by Iwan Morgan. Artwork by Luned Vaughan Williams.\
Y Band byw.\uc0\u8232 \
Gethin Davies \'96 llais, guitar\'a0\uc0\u8232 Dav Williams - drymiau\'a0\u8232 Alex Morrison \'96 gitar\u8232 Sam Thomas - bas\u8232 George Amor - allweddellau / Wy shigledig\
Jelo oddi ar Topido - EP digidol allan 28/04/2017 ar Recordiau Cae Gwyn //\'a0Jelo taken from Torpido - download EP released 28/04/2017 on Cae Gwyn Records.\
recordiaucaegwyn.com\
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\b \cf2 COTTON WOLF: LIFE IN ANALOGUE
\b0 \uc0\u8232 \
\uc0\u8232 Following the critical success of their three remarkable EPs,
\i Moxa, Cloud City
\i0 and
\i Catapelt
\i0 , the union of Welsh \'91Super Producer\'92 Llion Robertson and classically-trained composer Seb Goldfinch as pioneering musical duo,
\b Cotton Wolf
\b0 bears the fruit of their debut, full length release. Their nine-track album,
\i Life In Analogue
\i0 , is released on 28th April by Bubblewrap Collective both digitally and on vinyl.\uc0\u8232 \u8232 The pair\'92s return comes after two years of painstaking studio preparation, setting the dials for further public recognition after their 2015 release, \'91Moxa\'92, gained repeated radio play on BBC Radio One and BBC Radio 6 Music.\u8232 \u8232 With
\i \'91Life in Analogue\'92,
\i0 Cottonwolf have forged 'a symphony to the conflicted love of man and machine absorbed by digitisation and a soundtrack to modern living.Actively resisting the threat of digital post-production techniques that risk deleting human presence from music entirely,
\i Life In Analogue
\i0 seeks to outlive modern trends by setting warm, human hands upon the cold levers of contemporary, electronic music. As Cotton Wolf\'92s first release on vinyl, their choice of format is an extension of an artistic process that manages these exhilarating, contemporary conflicts.\
These dichotomies have been confronted, interpreted and now presented as the evolution of Cotton Wolf\'92s sound as Life In Analogue melds influences and boldly takes the baton from kindred musical spirits. Where there are traces of
\b A Guy Called Gerald
\b0 , there are hints of
\b Massive Attack
\b0 and where there is kinship with
\b Hans Zimmer
\b0 or
\b Hans Richter
\b0 there are traces of
\b 808 State
\b0 and
\b New Order
\b0 . It is all underpinned by unified elements - as effective in affecting the human heart today as they ever were - of epic classical strings, synthesised sounds and the sparing use of evocative vocals. It\'92s an album born equally in Cardiff as Singapore and Barcelona, with the pair responding to experiences in the streets, clubs and studios of international cities to document modern ways of living, all as uncertain as they are thrilling.\'a0\
\'91Glosh\'92 opens the album. by boldly hitting the accelerator with a driving beat, giving room for shimmering, light melodies to dance around as a counterweight.'Avalon\'92 follows with tight rhythms and an insistent, single-note motif on the beat punctuating the track and maintains intensity, consistency and rhythmic discipline. A sparse vocal introduces itself as an accent, another form of subtle instrumentation, rather than a focus.\
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\cf2 Cotton Wolf\'92s use of the Welsh language is unapologetic and
\i \'91Lliwiau\'92
\i0 (translation: Colours) employs an entirely Welsh vocal, which settles in at centre stage. All around the breathless, yet commanding vocal are strokes of scant, flickering instrumentation that brings a sense of cavernous depth to the music and fully reveals the duo\'92s mastery of deft minimalism. \uc0\u8232 \u8232 The title track,
\i \'91Life In Analogue\'92
\i0 is warped, pulsing and riven with subtle motifs that denote it as a track central to the record. Familiar touch points exist in a simple, recurring eight-note melody, which could be lifted from a blueprint used by electro pop pioneers of the 70s and 80s, a vital element of what pushed machine music into the mainstream. The same sense \'91less is more\'92 restraint is present in
\i \'91Ultra Five\'92
\i0 as snatches of voices, perhaps children\'92s laughter, again forces humanity back into an electronic framework.\'a0\uc0\u8232 \
The soulful, vocal atmospherics of
\i \'91Future Never\'92
\i0 are set within further glimmering, austere instrumentation and guided by little more than expansive, sustained synth notes. \'a0\'91While Night Grows\'92 closes the album with a deeply drawn, long exhale, washing over the listener with extended strings and a distant vocal, studded with a high-tempo wave of pulsing synthesiser. Holding a firm line with limited fluctuation, it ominously fades out like only half the secret has been told and there\'92s more, tantalisingly, to come.\uc0\u8232 \u8232 Life In Analogue follows the eight tracks released via their two early EPs, the first being their 2013 debut, Catapelt, which crept into European consciousness through the support of Berlin-based electronic enthusiasts. The follow up, 2014\'92s
\i \'91Cloud City\'92
\i0 saw the pair garner remix commissions from
\b Gulp
\b0 (
\i \'91Vast Space\'92
\i0 ) and
\b Trwbador
\b0 (
\i \'91Several Wolves\'92
\i0 ), before arriving in 2015 at their most successful release to date, the
\i \'91Moxa\'92
\i0 EP.\
MBW\
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\cf2 Video
\b : La Forme - Falling Leaves Pattern
\b0 \
Newport\'92s\'a0
\b La Forme
\b0 come at us a with a sensory treat that is \'91Falling Leaves Pattern\'92. \'a0An animated video produced by Rich Marshall to accompany the delightful sound waves of\'a0\'91FLP\'92.\'a0\uc0\u8232 \
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\cf2 Album:
\b The Puss Puss Band - Echoes Across The Cruel Sea // April 2017
\b0 \
The Puss Puss Band have created a damn fine collection of Pop/Folk songs, and have labelled this sonic gift as\'a0\'91Echoes Across The Cruel Sea\'92\
With sincere melodies and songwriting that can only be described as accomplished, they deliver an established, mature sound that makes the new listener feel like they\'92re already acquainted.\'a0\
The Puss Puss Band are a two piece mainly studio based outfit from South Wales comprising of multi instrumentalists Asa Galeozzie and Lee Pugh.\
Both have worked with numerous artists and bands in the UK and the Welsh music industry over the last ten years as writers, session musicians while also developing their sound engineering and studio production skills.\
After a break from the industry Galeozzie and Pugh once again began writing,arranging and producing the material that would go on to become The Puss Puss Band.\
Influenced by the compositional and songwriting genius of artists like Brian Wilson, Burt Bacharach, David Bowie, Neil Young and Bill Nelson; Galeozzie and Pugh began shaping the idea of an amalgamation of simple pop/rock songs and more sonically ambitious \'91pocket epics\'92 with every idea being,conceived, written performed, engineered and produced by themselves.\
With a big emphasis on pure, honest, fearless songwriting, and intricately woven melodies The Puss Puss Band aim to blend the stripped bare feeling of acoustic indie pop and rock with hints of the more classic, refined and warmer elements of jazz, folk, and blues, to create songs and arrangements that don\'92t easily fall into a pigeon holed genre.\
April 2017 saw the release of the debut album Echoes Across The Cruel Sea which features a guest appearance throughout by John Rabbit Bundrick (The Who, Free, Roger waters, Bob Marley\'85) On piano, Hammond organ, & Synths.\
The Puss Puss Band are currently promoting the new album and recently performed numerous live sets including a live acoustic set for the BBC.\
Current Releases;\
Echoes Across The Cruel Sea (2017) - The full debut album\uc0\u8232 featuring John Rabbit Bundrick\
The Puss Puss Band EP (2016)\uc0\u8232 - Four single pre album preview EP. (Album Due February 2017)\
- Available now from Bandcamp {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fthepusspussband.bandcamp.com&t=ODQ4YzU0NzUyMzc3NTY1MjI3ZWM1YTRiZTk3NjEyNGRlYjYwMTFmMixvY2hVVVVsQg%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159787311331%2Falbum-the-puss-puss-band-echoes-across-the&m=1"}}{\fldrslt \ul \strokec5 https://thepusspussband.bandcamp.com}}\
Follow The Puss Puss Band on\'85. Twitter: @puss_band\
MBW\
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\b \cf2 ANi GLASS - \'91Ffrwydrad Tawel\'92 EP // Out 21.04.17 on Recordiau Neb
\b0 \
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\i \cf2 \'93Ffrwydrad Tawel - Through the echoes of lost industries, communities and language there is hope. Always hope.\'94
\i0 \
\'91Ffrwydrad Tawel\'92 is named after one of Wales\'92 leading contemporary artists Ivor Davies\'92 major exhibition {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fmuseum.wales%2Fcardiff%2Fwhatson%2F8579%2FSilent-Explosion-Ivor-Davies-and-Destruction-in-Art%2F&t=OWVmNDk4YjcwMDkzYWU5OWU0OTljM2IxNDc0M2ZhZjEwN2VhODk2OSxyM04yUlZtUQ%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159786364126%2Fani-glass-ffrwydrad-tawel-ep-out-210417&m=1"}}{\fldrslt \ul \strokec5 Silent Explosion/Ffrwydrad Tawel}} held at National Museum Cardiff in 2016. Ani Glass was inspired by his use and mix of the Welsh language, bleak colours and destruction to reflect society in Wales and was later invited to perform with him at the museum as part of this exhibition.\
The \'91Ffrwydrad Tawel\'92 EP\'92s six electrifying, infectious, socially conscious electronic pop songs are a document of Ani Glass\'92s artistic evolution invested with grander themes.
\i \'93It\'92s about reconnecting with my language, history and culture after returning home having been away for years,\'94
\i0 explains Ani
\i \'93the songs are a snapshot of this journey of self discovery.\'94
\i0 Recorded in Cardiff and produced by W H Dyfodol (Haydon Hughes) throughout 2016 and the early part of 2017, the songs demonstrate
\i \'93the fight within yourself to address larger, more pressing themes in society whilst battling the reality of everyday life.\'94
\i0 \
Exquisite opener \'91Y Newid\'92 (Change) is possessed of ethereal vocal purity, Ani\'92s poignant intertwined refrains steeped in lyrics that chart of the rise of the unions within the working classes during the industrial revolution.Swirling with the ghosts of early Goldfrapp, interjected with a vocal sample from socialist activist (Labour councillor) Ray Davies, during his powerful speech at the Yes Cymru rally in 2014.\
Released as a single last year, the industrial electro pop of {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3D7nIqhlk_RvI&t=MTQyMThiNWQ2OWNlZTJjNDQ3ZjIyNTgwZTEyMjY0YWRhOTkxMjcwMyxyM04yUlZtUQ%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159786364126%2Fani-glass-ffrwydrad-tawel-ep-out-210417&m=1"}}{\fldrslt \ul \strokec5 \'91Y Ddawns\'92}} (The Dance) is a rallying call for those seeking inspiration in language and art. Laura Snapes of Pitchfork said it was
\i \'93a double-edged sword that\'92s as stern as it is hopeful; music for the end of the world, and the start of a new one.\'94
\i0 While BBC Wales\'92s Bethan Elfyn named it
\i \'93Perfect Euro Pop!\'94
\i0 \
The majesty of \'91Dal i Droi\'92 (Another Day), with its bubbling synths and infectious vocal hooks, might sound like Ani\'92s unique collision of euphoric euro pop and synth wave of the 1980s (Human League, OMD) balanced by more weighty thoughts of mortality. While the sublime \'91Geiriau\'92 (Words) ethereal reverb-soaked melodrama concerns Ani\'92s experience of leaving home, moving away/escaping to make a new life and returning years later.\
Closing track \'91Cariad Cudd\'92 (The City Sleeps) contrasts bittersweet refrains and dancefloor beats with an urgent Welsh polemic concerned with the history of Cardiff and the South Wales Valleys. This song depicts
\i \'93the cruel decline of industry and its devastating effect on communities.\'94
\i0 \
\
The EP comes with a {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fissuu.com%2Faniglass%2Fdocs%2Fani_glass_-_ffrwydrad_tawel_&t=MzIyYzdiNGRiNTQ2Y2MyNGNiZTgwNzdmMjVmODdjNDRiMWJjMWEwNixyM04yUlZtUQ%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159786364126%2Fani-glass-ffrwydrad-tawel-ep-out-210417&m=1"}}{\fldrslt \ul \strokec5 booklet}} of Welsh/English lyrics and artwork designed and created by Ani. The \'91Ffrwydrad Tawel\'92 EP will be launched on the 22nd of April at Cardiff\'92s legendary Clwb Ifor Bach venue.\
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\b \cf2 Biog
\b0 \
Ani Glass is the persona of Cardiff-based electronic pop musician, producer, artist and photographer, Ani Saunders. Fiercely proud of her heritage, Glass sings in her native languages Welsh and Cornish, in 2015 released her first solo material with lead single \'91Ff\'f4l\'92 (Foolish) being chosen as single of the week on BBC Radio Cymru and gaining plays on BBC 6 music.\
Ani is also known for her work with The Pipettes, joining in 2008 to record the Martin Rushent-produced Earth Vs. The Pipettes album. Prior to her stint with the polka-dotted pop band, Glass was in Genie Queen, managed by OMD\'92s Andy McCluskey. She also fronted The Lovely Wars, who recently posthumously released two singles \'91Gwrthod Anghofio\'92 (We Won\'92t Forget) and 'Cymer Di\'92 (Take) in celebration of Welsh Language Music Day.\
\b Gigs
\b0 \
22.04 Clwb Ifor Bach \'96 Caerdydd (EP launch)\uc0\u8232 28.04 Clwb y Bont \'96 Pontypridd\u8232 07.05 Acapela - Pentyrch\u8232 12.05 Komedia Arts Caf\'e9 - Bath\u8232 23.05 Full Moon \'96 Caerdydd\u8232 26.05 Llambed Arts - Lampeter\u8232 31.05 Eisteddfod yr Urdd - Bridgend\u8232 01.07 Tafwyl - Caerdydd\u8232 07.07 Buffalo - Caerdydd\u8232 16.07 Gwdihw - Caerdydd\
\b Links\uc0\u8232
\b0 Website {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.recordiauneb.com%2F&t=MjVmZTZkNWI4NDNhZTkxOTJmYzU3NzBjYjIyYTc3Yjc1MjcwZDIxYSxyM04yUlZtUQ%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159786364126%2Fani-glass-ffrwydrad-tawel-ep-out-210417&m=1"}}{\fldrslt \ul \strokec5 http://www.recordiauneb.com/}} \uc0\u8232 Facebook {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.facebook.com%2Faniglasscymru%2F&t=OTgyMWExMmE2ODM1ZmEyNWUxODZlZjM5ZmIyYTA2MjQ4ZGQ1ZGFiNCxyM04yUlZtUQ%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159786364126%2Fani-glass-ffrwydrad-tawel-ep-out-210417&m=1"}}{\fldrslt \ul \strokec5 https://www.facebook.com/aniglasscymru/\ulnone \uc0\u8232 }}Twitter {\field{\*\fldinst{HYPERLINK "https://twitter.com/AniSaunders"}}{\fldrslt \ul \strokec5 https://twitter.com/AniSaunders\ulnone \uc0\u8232 }}Soundcloud {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fsoundcloud.com%2Faniglass&t=YTZmZWRiZmY0NzllZTE4ZjAyZThhN2Y5NTI2OTBkNzE2NzM5Njk5NCxyM04yUlZtUQ%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159786364126%2Fani-glass-ffrwydrad-tawel-ep-out-210417&m=1"}}{\fldrslt \ul \strokec5 https://soundcloud.com/aniglass}} \
MBW\
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\b \cf2 The Gentle Good \'96 Ruins / Adfeilion
\b0 \
\
How in the world do you follow up a Chinese / Welsh concept album about a poet? Gareth Bonello a.k.a. The Gentle Good returns to his roots after his experimental and ambitious previous LP to deliver one of his best albums yet. As the title might suggest, \'91Ruins / Adfeilion\'92 is a mixture of Welsh and English language songs. As a body of work, it\'92s beautifully fragile and Bonello\'92s gentle and subtle voice contrasts nicely with the intricacies of his guitar work. Whilst it might not push the cultural boundaries of his previous effort, it\'92s an LP that builds on his strengths, whilst giving plenty of scope for experimentation. The album features a range of instruments, varied lyrical themes (I particularly recommend \'91Rivers of Gold\'92 as a searing takedown of capitalism) and an instrumental title track.\
\'91Ruins / Adfeilion\'92 is available now on {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fbubblewrapcollective.co.uk%2Fproduct%2Fthe-gentle-good-ruins-adfeilion%2F&t=ZjYyODRiZTdjNTcyNGZkNjJmNDFjMzIxNmE4YjJkNjY2NGQ0ZGE3Mix5MDBFMjVTcw%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159785894931%2Fthe-gentle-good-ruins-adfeilion-how-in-the&m=1"}}{\fldrslt \ul \strokec5 Bubblewrap records}}.\
Sut yn y byd ydych chi'n dilyn i fyny albwm am y cysyniad o fardd Tsieineaidd trwy gyfrwng y Gymraeg? Mae Gareth Bonello a.k.a. The Gentle Good yn dychwelyd i'w wreiddiau ar \'f4l ei LP arbrofol ac uchelgeisiol diwethaf i gyflawni un o'i albymau gorau. Fel mae\'92r teitl yn awgrymu, mae \'91Ruins / Adfeilion\'92 yn gymysgedd o ganeuon Cymraeg a Saesneg. Mae'r albwm yn hyfryd o fregus ac mae llais tyner a chynnil Bonello yn cyferbynnu\'92n arbennig gyda chymhlethdod y melodi o\'92i git\'e2r. Er nad yw\'92r albwm yn gwthio ffiniau diwylliannol yn yr un modd a\'92i ymdrech blaenorol, mae\'92r LP yma yn adeiladu ar ei gryfderau, tra'n rhoi digon o gyfle i arbrofi. Mae'r albwm yn cynnwys ystod o offerynnau, them\'e2u amrywiol (rwy'n awgrymu eich bod chi\'92n gwrando ar sut mae \'91Rivers of Gold\'92 yn mynd i\'92r afael \'e2 chyfalafiaeth) a'r trac teitl offerynnol.\
Mae \'91Ruins / Adfeilion\'92 bellach ar gael trwy {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=https%3A%2F%2Fbubblewrapcollective.co.uk%2Fproduct%2Fthe-gentle-good-ruins-adfeilion%2F&t=ZjYyODRiZTdjNTcyNGZkNjJmNDFjMzIxNmE4YjJkNjY2NGQ0ZGE3Mix5MDBFMjVTcw%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159785894931%2Fthe-gentle-good-ruins-adfeilion-how-in-the&m=1"}}{\fldrslt \ul \strokec5 Recordiau Bubblewrap}}.\
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\b \cf2 Georgia Ruth \'96 Fossil Scale
\b0 \
Georgia Ruth follows up the acclaimed Welsh Music Prize winning \'91Week of Pines\'92 with the bold and accomplished \'91Fossil Scale\'92. Whilst her debut was a folk heavy tilt at the mainstream, her latest album has a more consistent pop-folk styling. Her harp still breaks through the range of instrumentation on \'91Supermoon\'92, but it\'92s less prominent on her latest effort. This time, her album is predominantly English (apart from the atmospheric interlude \'91Mas\'92 and the beautiful Welsh language ballad \'91Sylvia\'92) and is more cohesive, with a radio friendly sound framing the personal nature of the lyrics.\
Fossil Scale is out now on {\field{\*\fldinst{HYPERLINK "http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.navigatorrecords.co.uk%2F2016%2F07%2Fnew-release-georgia-ruth-fossil-scale%2F&t=N2QxN2NkNzMwMGZhMTE3ODgyZmVhYmFhMjkwZWE3MDFlM2RhYTY1YSxDZE5vV0w2Zw%3D%3D&b=t%3AbuwpMZ3R4B22YgkZbpi_jA&p=https%3A%2F%2Fmusicblogwales.tumblr.com%2Fpost%2F159785757676%2Fgeorgia-ruth-fossil-scale-georgia-ruth-follows&m=1"}}{\fldrslt \ul \strokec5 Navigator Records}}.\
Mae Georgia Ruth yn dilyn i fyny ei albwm nodedig \'91Week of Pines\'92 (a wnaeth ennill y Wobr Gerddoriaeth Gymreig) gyda Fossil Scale, albwm sy\'92n hynod o eofn a medrus. Roedd ei hymdrech cyntaf yn ceisio mynd a cherddoriaeth werin i'r boblogaeth eang, ond y tro yma mae gan ei halbwm diweddaraf steil pop-gwerin mwy cyson. Mae ei delyn yn dal i dorri drwy'r ystod o offerynnau sy\'92n cael ei chwarae ar 'Supermoon\'92, ond yn gyffredinol mae'n llai amlwg ar yr albwm yma. Mae'r caneuon yn Saesneg yn bennaf (ar wah\'e2n i'r anterliwt atmosfferig 'Mas\'92 a \'91Sylvia\'92, can hynod o brydferth yn y Gymraeg) ac mae\'92n fwy cydlynol. Mae natur bersonol y geiriau a\'92r sain hygyrch yn ei wneud yn ddelfrydol ar gyfer y radio.\
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\b \cf2 INTRODUCIN\'92 #102- LUK
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\b Cardiff based artist LUK has crafted a sweet synth dance tune for his debut that has more than an apt title\'96Movement. We asked him to answer a few questions about gigs and his signature sound! Check it out!
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\b 01. Hello. How are you and what\'92s going on?
\b0 \uc0\u8232 Hey! I\'92m good thank you <3 super busy to be honest, freelancing around London town, in-between \'91airbnbs\'92 and important music meetings but I love it.\
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\b 02. What was the name of the first composition you wrote? What was the theme and did you ever perform\'a0it live?
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I\'92ve written songs and poetry since I can remember but the first song I composed and produced that made it past my hands, was a rap track called 'Menace\'92. It was my Soundcloud debut but unfortunately I had to take it down recently. It was really cheeky haha. I was only 16 though, I sound like a baby on it and it has this taxing, uncompressed, squeaky, synth throughout the entire thing. I loved it at the time though and I still do because I remember how excited I was to put something out there. It was a 'This is me, like it or lump it\'92 moment and I miss that side of me sometimes, I can still remember how proud I was of it and how even prouder I am now. It\'92s probably out there somewhere it was on the internet for so long but I could never dare perform it live haha that synth alone could empty Glastonbury.\'a0\
\b 03. How would you describe the sound you make?
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Visual. I can\'92t make anything without fully visualising it first. When writing a song or producing a demo it\'92s really all about the movie that plays in my head or the colours, shapes and personality that gives my songs, individuality and meaning to me. It\'92s a handy way to organise things like track lists and singles. What may be good for people to hear next and what I may have written that I can pass on. I definitely favour a warmer, dreamer, glittery sound to a dark one but my voice can\'92t help but bring weight and bass with it so my sound ends up somewhere in-between I guess. It\'92s almost always a reason to dance too.\
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\b 04. From what do you take inspiration from to create your sound?
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This may seem like an awfully lazy answer but there is nothing I can\'92t feel inspired by. Music, art, fashion, architecture, I guess everyone feels this way sometimes, what frustrates me is that I can\'92t make sense of it sometimes. With my sound I suppose I commit to the theme. I\'92ll always create something for myself with a body of work in mind including a story, a character etc. I\'92m a sucker for concept albums. My sound at the moment centres around the beautiful irony between the dark depths of your mind and the joy tropical, uptempo, dream-like music inspires in us all.\
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\b 05. What city are you from? What are some of your fav things to see and do in your city?
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I moved to Cardiff a few years back for uni. It has this great monthly event called 'Rotary Club\'92 where \'a0once upon a time a huge group of my friends and I became part of the furniture. There we met our Rotary family but unfortunately as i\'92m travelling a lot now I can\'92t afford that luxury but I have managed the odd Drum & Bass rave since. Other than a great a night out with the best people, Cardiff has so much to offer everyone, I miss it so much. I can\'92t really give you a short answer for that one. \
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\b 06. What was the inspiration behind your track Movement?
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The lyrics and themes came after the composition but it was an undeniable natural progression, eerily fated to be honest. I was pretty tangled up in performing, promoting, enjoying myself and getting a degree but the demo was so carefree and unapologetic that I couldn\'92t ignore what it was telling me and that was what went onto become the track\'92s tagline - 'It\'92ll be alright\'92. The inspiration was to create something, easy and relatable for me to refer back to the next time I was stressing out.\
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\b 07. What is the process behind you creating a composition?
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The demo began at like 144bpm because I was dead set on making a tropical trap song but I wasn\'92t getting anywhere, I didn\'92t really know what I was doing so I just began sequencing patterns and trying to fit them together like a Rubix cube. Luckily before I lost interest in the session I solved it. I experimented with the tracks bpm until the build up sounded acceptable and began adding on to the build up to make it more impactful. Whilst doing that I created this sick drum pattern that I couldn\'92t put down, so I made it the drop and the song pretty quickly formed around that. I stole synths I had made from the other demos because I wanted them all to sound of the same blood and from there the songs potential was obvious. To fill in the verses I introduced my voice and what was on my mind at the time. It then changed hands and burst from its cocoon thanks to Lee House (producer). \
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\b 08. What was the first concert you ever attended? How was it and was the artist a worthy experience?
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The first gig I bought tickets for was either Tinie Tempah or Nero, not so long ago (around 2011). Both were amazing and worth every penny! I remember with Tinie it was his 'Disc-overy\'92 album and J-cole was supporting. I jumped the entire time and recited all the words to both J-Cole and Tinie Tempah\'92s sets, including Tinie\'92s 'Mosh Pit\'92 (I had found concert videos on youtube). Nero too. Nero was my first real taste of the genre live and the visual show they put on changed the way I thought about live performances. That one was quite an intimate one and it made all the difference, I was in awe the entire time. Absolute bliss in chaos. I\'92ll never forget me and my mate Tom talking about that one for months afterwards. So good.\
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\b 09. Any local artists from your area that you are digging right now and would love to share with us?
\b0 \
Always! Florence Black released a song for the 50th anniversary of the Aberfan disaster and it\'92s beautiful it\'92s called 'Moy Road\'92. Hvnter and XY&O continue to kill it and off topic, tonight I discovered Dopla\'92s 'Lights\'92 EP and it\'92s incredible, it\'92s on soundcloud and totally worth checking out!\
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\b 10. Any sleeping tips for us?
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I could definitely use one of them. \
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\b 11. What is your signature dance-move?
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Kind of similar in posture to a fish out of water. \
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\b 12. Your last gig-Where was it and how did it go? Was there anyone else on the bill?
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It was in Hub Festival, Cardiff, there was a vast, colourful spectrum of artists on the bill this year including, Roughion, Castles, Ani Glass and Hipicat but unfortunately our gear died whilst we performed and most of the set was spent juggling fixing our instruments and singing alongside a metronome HOWEVER our electronic drum pads came back to life for 'Movement\'92 our final song and even though it was bittersweet it was our best performance yet! By then the room had cleared and we were left bouncing around it, microphone in hand, singing along to movement with our friends and it reassured me that no matter how horrible things may seem sometimes it will all work out. Music makes me so happy <3 \'a0 \
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